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hypnoraygun
Joined: 22 Mar 2006 Posts: 540 Location: Missouri
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Posted: Wed Jan 05, 2011 2:37 pm Post subject: |
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| Wrighter wrote: | Came across these photographs of a Jones home in Springfield, MO. At least, I'm assuming it's in Springfield, since the photographer is from that area. I'm guessing this is the Horton house, but I'm not sure.
The photos can't be linked directly. If you go to the website, and click on menu options, the photos of the home are numbers 10, 11, 16, 17, 21 under the "Architecture and Design tab."
The house is dramatically sited, on a bluff overlooking a river, trees everywhere (the siting is shown on picture 21). The fireplace is a marvel, with a huge stone lintel and a stone hob that runs indoors/outdoors. The house appears to retain all of its Jones designed furniture, and what appears to be maybe Jones designed rugs in the living room and dining room? If not Jones designs, then perfect fits. Living room tables are modular, and show up well in photo 10--I also think there's a glimpse of a Jones designed magazine rack in the lower right hand corner of that shot.
http://boblinderphotography.com/artist.asp?ArtistID=18277&AKey=BDS8CFNT
Hypno, do you know this home? |
These photographs were published in a local Springfield magazine.
You have two different homes here. The main interior photographs which are so striking, are from the Mahoney home. I've been to this home and photographed it. My photos of this design will not be in my book due to the home owners wishes. But.. You can see from these photographs how amazing it is. It is similar in concept to the Glass house and the unbuilt Monaghan house. It has a loft area at the very top of the home (which is accessed by a ladder) where you can overlook the entire living room area, and you can also actually look down into the master bathroom! ha..
This home sets on a golf course. The rugs which perfectly match the design and layout were (as told to me by the owner) designed by David McKee. Jennings may have designed some of them as well?.. Jennings, Mckee and Jones all worked on this home together which makes it so wonderful. There are details everywhere. If you look at the rug under the table, it matches the wood lines on the legs, perfectly. (photo 11)
Yes, in photo 16, to the left of the fireplace there is one massive bolder which is all one piece. They had to set it, and carve out the stone in order to place the glass. But it is still in one piece. It is amazing to see! Now those are the kind of details in which Jones excelled at.
The second house featured in photo 21 is the Horton house. It is quite secluded and very difficult to see. It overlooks the James River just outside of Springfield, MO.
PS.. My book will be 100% finished by tomorrow. I've said it before, but this time it's true! ha.. I will order a proof copy probably tomorrow or the next day. |
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DRN
Joined: 10 Jul 2006 Posts: 1551 Location: New Jersey
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Posted: Wed Jan 05, 2011 3:17 pm Post subject: |
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hypnoraygun: Please keep us posted on the publishing of your book, I look forward to adding it to my collection.
Wrighter: I guess I'm slow on the uptake. I was not aware you had purchased a Jones house...kudos! I'm sure the house will appreciate your stewardship as much as you will appreciate experiencing life in a "natural house". Congratulations again. |
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Wrighter
Joined: 09 Sep 2005 Posts: 311 Location: St. Louis, MO
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Posted: Wed Jan 05, 2011 3:37 pm Post subject: |
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Thanks Hypno--I knew you'd have the lowdown. I was trying to figure out how the house could seemingly be open to both a green lawn and a deck overlooking the river. I never thought about two different houses! But that dining room carpet is ideal for the space--so simple and so perfect.
DRN--thanks! I keep meaning to post pics and progress--soon, now that the term is on break. |
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Paul Ringstrom
Joined: 17 Sep 2005 Posts: 2223 Location: Mason City, IA
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Posted: Wed Jan 05, 2011 6:37 pm Post subject: |
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| Can someone please explain photo #16. Is that a solid fixed piece of glass between the living room and the patio? |
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hypnoraygun
Joined: 22 Mar 2006 Posts: 540 Location: Missouri
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Posted: Wed Jan 05, 2011 6:48 pm Post subject: |
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| Paul Ringstrom wrote: | | Can someone please explain photo #16. Is that a solid fixed piece of glass between the living room and the patio? |
Yes. That is taken from the back of the house, on the patio area, looking into the house. Those are just huge pieces of glass.
What else is interesting is the organic/continual design theme. See the way how the columns are three vertical lines at the top of the glass, then two, then one? That is featured all throughout the design.
If you look at photo 11, you can see (It is a bit difficult to make out) the 3, 2 and 1 design on the backs of the chairs, at the side and ends of the lamp, and door in the corner.
In photograph 10 you can see the design repeat in the small stools, and on the sides of the chairs. (in this photo, you are looking out to where photo 16 was taken) |
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SDR
Joined: 17 Jun 2006 Posts: 8032 Location: San Francisco
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Posted: Wed Jan 05, 2011 8:03 pm Post subject: |
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That wild stone floor would seem to enhance the feeling of being outdoors ? And you have to love the dining room carpet coordinated to the placement of the table legs. FLLW, take note !
S D R |
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Education Professor
Joined: 05 Jul 2005 Posts: 518
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Posted: Wed Jan 05, 2011 11:56 pm Post subject: |
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I agree, SDR--Jones' attention to detail is remarkable.
hypnoraygun--best wishes on the book. I look forward to purchasing a copy of it.
EP |
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Paul Ringstrom
Joined: 17 Sep 2005 Posts: 2223 Location: Mason City, IA
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Posted: Thu Jan 06, 2011 10:23 am Post subject: |
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For those who haven't had the pleasure of visiting any E. Fay Jones houses, those flagstone floors were a EFJ signature item and appear in most of his houses. The stone is from Paris, Arkansas. I was told that at the time these homes were built these floors cost less than linoleum.
EFJ built one of his wonderful houses on the east coast (I think it was in the Boston area). It is mostly stone. He found it cheaper to truck the stone from Arkansas than to obtain it locally.
Before EFJ died he sat with a reporter and did an oral history (over many months) which included going through each of the buildings he built and recollecting on his memories of the clients and his thoughts on their needs and his design. These audio tapes are in his archives. [Wrighter: you should look up the parts on your house when you visit the archives.] |
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hypnoraygun
Joined: 22 Mar 2006 Posts: 540 Location: Missouri
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Posted: Thu Jan 06, 2011 2:52 pm Post subject: |
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| Paul Ringstrom wrote: | For those who haven't had the pleasure of visiting any E. Fay Jones houses, those flagstone floors were a EFJ signature item and appear in most of his houses. The stone is from Paris, Arkansas. I was told that at the time these homes were built these floors cost less than linoleum.
EFJ built one of his wonderful houses on the east coast (I think it was in the Boston area). It is mostly stone. He found it cheaper to truck the stone from Arkansas than to obtain it locally.
Before EFJ died he sat with a reporter and did an oral history (over many months) which included going through each of the buildings he built and recollecting on his memories of the clients and his thoughts on their needs and his design. These audio tapes are in his archives. [Wrighter: you should look up the parts on your house when you visit the archives.] |
Thank you DRN and Education Professor for the book mentions. I will let you know. It should be ready(crosses fingers) in just a few weeks.
Paul, the house you refer to is in Carlisle, MA. The Richardson house.
The interviews were conducted by Roy Reed. Jones designed Reed an interesting smaller house (here is a link to information about the house http://www.arkansaspreservation.com/historic-properties/_search_nomination_popup.asp?id=62&arkreg=1)
They (The University of Arkansas) are supposed to be transcribing the interviews into a written form, but it seems to be slow going. I can't wait to read/hear them. I just sent an email to see what the current status is with the project. |
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SDR
Joined: 17 Jun 2006 Posts: 8032 Location: San Francisco
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Posted: Thu Jan 06, 2011 4:07 pm Post subject: |
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DRN contributes this photo and the following text:
A little known component of Jones' work at the Crosby Arboretum in Picayune, MS was this outhouse located just to the northwest of the Pinecote Pavilion. I was unaware of it until it was noted by the arboretum staff for use by our guests as my wife and I were making preparations for our wedding at the Pavilion in 2000. It is not among his masterworks, but it works well, relates to its context, and has a pleasant proportion. The open gable ends have insect screening which provide good ventilation and daylighting. Not sure if this structure is "book-worthy" for hypnoraygun's purposes, but I thought it a great example of Jones' belief that all elements of a project are worthy of design consideration.
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Jeff Myers
Joined: 22 Feb 2009 Posts: 1741 Location: Tulsa
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Posted: Thu Jan 06, 2011 4:12 pm Post subject: |
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Wow, now I would use that outhouse, it doesn't even look like one I had to read the sentence twice to make sure I read properly, I thought it was a tool shed. _________________ JAT
Jeff T |
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peterm
Joined: 13 Mar 2008 Posts: 3325 Location: Chicago, Il.---Oskaloosa, Ia.
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Posted: Thu Jan 06, 2011 4:48 pm Post subject: |
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What a lovely shade of teal that is.
We become so accustomed to Wright's cherokee red and the other autumnal tones, that a color like that can be quite refreshing, especially when viewed in the context of the surrounding forest.
But who knows, maybe Jones didn't specify paint (or stain) at all, and the wood should have been left natural... |
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Wrighter
Joined: 09 Sep 2005 Posts: 311 Location: St. Louis, MO
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Posted: Mon Jan 10, 2011 3:36 pm Post subject: |
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Thanks for the heads-up, Paul--we did just that when we were at the archives.
Hypno--I don't know about the complete progress for the transcription process, but they had the interview relating to our house transcribed, and they were nice enough to provide us with a copy.
PeterM--that's at least the third Jones structure I've seen with some variation of that blue, along with our house and another that Hypno listed as being for sale earlier in this thread. I can't speak for the others, but in the case of the Fisher house, Jones called for wood left natural with a butternut stain. |
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Paul Ringstrom
Joined: 17 Sep 2005 Posts: 2223 Location: Mason City, IA
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Posted: Mon Jan 10, 2011 4:25 pm Post subject: |
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Steve,
Excuse my ignorance, but what color is a butternut stain? I presume it is not blue/gray or teal. |
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Wrighter
Joined: 09 Sep 2005 Posts: 311 Location: St. Louis, MO
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Posted: Mon Jan 10, 2011 5:47 pm Post subject: |
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Paul, I'm still working that one out--it's some variation of brown, not quite light but not quite dark. To my naked eye, the color varied widely in the period slides I've seen of Fisher.
In the spec sheets, Jones calls for "butternut stain sealer (Phelan's lox, or equal)". Phelan's was a period wood stain no longer made--I've seen pictures of old cans online, but haven't found any additional information.
A couple of our light fixtures and carport beams escaped the painter's light blue handiwork. I'm not sure if I have a relevant photo, but I'll post if I can find one. Here's the stain in the can:
http://farm3.static.flickr.com/2782/4458933102_2a0a2d3030.jpg |
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